How it all began . . .
Nancy Burson's pioneering work in morphing technologies began with age-enhancing the human face, enabling law enforcement to locate missing children and adults. The Human Race Machine is Burson's best known public art project, originally developed as a commission for the London Millennium Dome in 2000. Human Race Machines have been used on college and university campuses as a diversity tool to discuss issues of race and ethnicity since 2003.
The concept of race is not genetic, but social. There is no gene for race. In 2005, there was a gene that was identified for skin color, but that was only skin deep. Skin color is simply a reflection of the amount and distribution of the pigment melanin and humans are all alike underneath their skin. This newly found gene involves a change of just one letter of DNA code out of the 3.1 billion letters in the human genome — the complete instructions that comprise a human being. We are, in fact, all 99.9% alike.
Human Race Machines have been featured in all forms of media including segments on Oprah, Good Morning America, CNN, National Public Radio, PBS, and Fuji TV News, as well as countless local TV channels in the USA. Prominent articles featuring the Human Race Machine have appeared in The New York Times, The Baltimore Sun, The Houston Chronicle, and Scientific American Magazine to name a few.